Misc Gear

Microphones:

Blue Baby Bottle Blue Blackberry AKG C414BULS
3 -CAD M9 Tube Steven Slate ML1 Steven Slate ML2
2 – CAD e100 Audio Technica AT4030 Shure KSM27
RODE NT-1A 2 – RODE NT-2 RODE NT2A
SuperLux ECO-H6A Behringer ECM8000 MXL 990
Oktava MK-219 Oktava MK-319 Pair Oktava MC012-01
Pair MXL 603S Mogami Pair MXL 993 Pair AKG C-430
AKG C-418 2 – Audio Hipster AH-01 AudioHipster AH-04
MXL R144 NADY RSM-2 SuperLux Pro823 MKII
2 – Shure SM7B AKG D-880 AKG D-770
Shure Beta 87a Shure Beta 58 Sennheiser e835
6 – Shure Sm-58 4 – Shure SM-57 2 – Audix i5
Shure Beta 52 AKG D112 AKG D-550
Sennheiser e602 CAD NDM-11 4 – Sennheiser e604
2 -CAD NDM-10 AKG D-409 Shure HighImp “1982 Maxell Edition”
Audio Technica Pro-44 2 – Radioshack Boundry Mics 2 – Shure Omnidyne 578
 5 – SuperLux TM58   Superlux D112/C Harp Mic

Keyboards/Modules/SoftSynths:
Kawai MP11 Controller Digital Piano (“A” room)
1955 Hammond B3 with pedals and late 60’s Leslie 147 (“A” room)
1975 Fender Rhodes Satellite (Stage/Suitcase) Electric Piano (“A”Room)
Wurlitzer 200a Electric Piano (“A” Room)
Roland VK-7 (“A” room)
EMU Proteus 2000 (“A” room)
Roland D-110 (“A” room)
M-Audio Keystation 61es (“A” Room)

Guitars/Basses (“A” room)
’74 Hagstrom Swede
Epiphone DOT
Epiphone Joe Pass
’96 Fender MIM Telecaster
’02 MIM Stratocaster
Fender Squire FM Telecaster
Tokai Goldstar Sound ’62 Strat Copy
Ovation Baladeer A/E
Hohner HC30 Classical
Wasburn A/E
Fender Squire II P-Bass
Fender MIM Jazz Bass
DeArmond Ashbury Bass
Japanese Import Viola Style Bass

Pre-Amps/Guitar Amps/Bass Amps (“A” room)
REDDI Bass Tube DI
1960’s Ampeg B-15 Bass cabinet with original speaker
80’s Ampeg B-15-TEV
1969 Ampeg 8×10 Cab
70’s Acoustic 150 Head
Haynes BassKing II
Fender Rumble 250
60’s Gibson White Falcon
Fender Blues Jr
1968 Fender Twin Reverb
1967 VOX Berkley II
Orange Amps Crush 30R
Roland Jazz Chorus 50
Epiphone Valve Jr.
Pignose Portable Amp
Silvertone “Dan Elctro” 1492
2 – Marshall Model 5005–LEAD 12
80′- s Yamaha TS50 (Soldano Designed)
Line-6 Flextone Plus w/ floorboard controller
Line-6 Guitar POD 2.0 POD PreAmp
Line-6 Bass POD PreAmp
Carvin SX300
Laney 2×12 closed back cabinet
Fender FM412 closed back cabinet

Drums and Percussion
1960 Revelle Blue Swirl 5.5″x14″ Wood Snare
1959 Ludwig 5.5″x14″ WMP Wood Snare
1964 Ludwig 5.5″x14″ Supraphonic Snare
1965 Ludwig Acrolite 5.5″x14″ Steel Snare
1969 Ludwig 5.5″x14″ Supraphonic Snare
1979 Ludwig Acrolite 5.5″x14″ Steel Snare
1980’s Ludwig 6″x14″ Maple Snare Modified “OCP style”
1980’s Ludwig Acrolite 5.5″x14″ Steel Snare
1970’s Rogers BIG R Dynasonic 5.5″x14″ Steel Snare
1980’s Pearl Sensitone 5.5″x14″ Brass Snare
1980’s Pearl Sensitone 5.5″ x 14″ Steel Snare
1980’s Pearl 6.5″ x 14″ Free Floating Steel Snare
1980’s Pearl 3″ x 13″ Brass Snare
1980’s Tama 2″ x 12″ Steel Snare
1970’s Slingerland 5.5″x14″ Aluminum Snare
1980’s Slingerland 2″x13″ Wood Snare
1980’s Pearl 5.5″x14″ Steel Snare
2014 Pacific PDP SX Series 5.5″x14″ WOOD HOOPS
2016 Pacific PDP Limited Edition Maple/Walnut Snare 14″ x 7-1/2″
and MORE

DRUM KITS(“A” room)
1967 Ludwig 5-Piece Kit Sky Blue Pearl, w/ added 14″x14″ and 16″x18″ floors
1970 Ludwig 5-Piece Kit Red Sparkle, w/ added 13″x14″ floor
1968 Rogers Cleveland era 5-Piece kit
69-72 Rogers Big “R” 4-piece maple shell
1980’s Pearl Session Series Birch Shell 6-piece kit
80’s Premier 26″ Bassdrum
1980’s Ludwig Club Date 20″ Bassdrum
Various Zildjian, Sabian, Rancan, Zyn, Mienl, Piaste cymbals

Percussion (hand drums available on request)
Aspire Conga set
Pearl Thai Oak Tube Cajon set
Matador Timbale’s
Mienl Bongos
Remo Mondo Djembe’s 16″ and 14″
Various hand percussion

Any equipment damaged by client misuse, mistreatment or abuse, by the client or their entourage, shall be the responsibility of the client and compensation shall be made to Itchy Brain Recording, before any recorded material leaves the building.