Misc Gear

 

Microphones:

Neumann U87ai Stam Audio U47FET Warm Audio WA8000
Audio Technica AT4030 Avantone CV-12 AKG C414BULS
Shure KSM27 Blue Baby Bottle Blue Bluebird
Steven Slate ML1 3 – CAD M9 Tube 2 – CAD e100
RODE NT2A 2 – RODE NT-2 RODE NT-1A
Pair Audio Hipster AH-01 MXL The Cube SuperLux ECO-H6A
Oktava MK-219 Oktava MK-319 Pair Oktava MC012-01
AKG C1000s Pair AKG C-430 Steven Slate ML2
Pair MXL 993 Pair MXL 603S Mogami Behringer ECM8000
Pair Golden Age Project FC4 MC Pair Studio Projects C-4 Pair Cascade Fathead
AudioHipster AH-04 Stereo NADY RSM-2 MXL R144
Shure Beta 91 Audio Technica Pro-44 Pair Radioshack PZM
SuperLux Pro823 MKII
AKG D-409 AKG D-880 AKG D-770
2 – AKG D112 AKG D-550 2 – Shure SM7B
2 – Shure Beta 52 4 – Shure SM-57 6 – Shure Sm-58
Shure Beta 58 Shure Beta 87a 2 – Shure Omnidyne 578
2 – Sennheiser MD421 U5 Sennheiser MD421-2 2 – Sennheiser MD421-II
Sennheiser e602 Sennheiser e835 4 – Sennheiser e604
EAG MD-16N 2 – Electro-Voice RE320 Electro-Voice N/D 308B
2 – Audix i5 CAD NDM-11 2 – CAD NDM-10
Superlux D112/C Harp Mic 5 – SuperLux TM58 Shure “1982 Maxell Edition”

Keyboards/Modules/SoftSynths:
Kawai MP11 Controller Digital Piano, 1955 Hammond B3 with pedals and late 60’s Leslie 147, 1975 Fender Rhodes Satellite (Stage/Suitcase) Electric Piano, Wurlitzer 200a Electric Piano, Roland VK-7, MOOG Grandmother, EMU Proteus 2000 (available), Roland D-110 (Control room), M-Audio Keystation 61es (Control Room), Nektar Impact GX49 (B Suite)

Guitars/Basses
’74 Hagstrom Swede, Epiphone DOT, Epiphone Joe Pass, ’96 Fender MIM Telecaster, ’02 MIM Stratocaster, Fender Squire FM Telecaster, Tokai Goldstar Sound ’62 Strat Copy, Ovation Baladeer A/E, Hohner HC30 Classical, Wasburn A/E

Fender American Std Bass, Fender Squire II P-Bass, Fender MIM Jazz Bass, DeArmond Ashbury Bass, Japanese Import Viola Style Bass, NS Design WAV4 Electric Upright Bass

Pre-Amps/Guitar Amps/Bass Amps
REDDI Bass Tube DI, 1960’s Ampeg B-15 Bass cabinet with original speaker, 80’s Ampeg B-15-TEV, 1969 Ampeg 8×10 Cab, 70’s Acoustic 150 Head, Haynes BassKing II, Fender Rumble 250

80′- s Yamaha TS50 (Soldano Designed), Carvin SX300, JCM800 mdl 2205, Fender Hotrod DeVille, Soldano Reberb-o-Sonic Combo, Ampeg GVT52-112, ROLAND JC77, Roland JC50, Mesa/boogie .50 Caliber, 60’s Gibson White Falcon, Fender Blues Jr, 1968 Fender Twin Reverb, 1967 VOX Berkley II, Orange Amps Crush 30R, Epiphone Valve Jr, Pignose Portable Amp, Silvertone “Dan Electro” 1492, 2 – Marshall Model 5005–LEAD 12

Marshall 1960a 4×12 lead 16ohm, Laney 2×12 closed back 8ohm, Fender FM412 closed back 8ohm

DRUM KITS
1967 Ludwig 12,13,16,22 Sky Blue Pearl, 1970 Ludwig 12,13,16,22 Red Sparkle, 1968 Rogers Cleveland 12,12,16,20 Red Onyx, 69-72 Rogers Big “R” 13,14,16,24, 1980’s Pearl Session Series Birch 10,12,14,16,22

Late 70’s Ludwig Champagne 14×14, Early 70’s Ludwig ThermoGloss 16×18, Late 70’s Ludwig Red sparkle 13×14 converted to floor, Early 70’s Ludwig Black Diamond 6×8, 8×10, late 60’s HiLo Red Onyx 14×14

80’s Premier 26″ Bassdrum, 1980’s Ludwig Club Date 20″ Bassdrum

SNARES
1959 Ludwig 5×14 WMP, 1964 Ludwig 5×14 Supraphonic, 1965 Ludwig Acrolite 5×14, 1969 Ludwig 5×14 Supraphonic, 1979 Ludwig Acrolite 5×14, 1980’s Ludwig 6.5×14 Maple Modified “OCDP” style, 1980’s Ludwig Acrolite 5×14, 1970’s Rogers BIG R Dynasonic 5×14, 1980’s Pearl Brass Sensitone 5×14, 1980’s Pearl Sensitone 5×14, 1980’s Pearl 6.5×14 Free Floating Steel, 1980’s Pearl 3×13 Brass, 1980’s Tama 2×12 Steel, 1970’s Slingerland 5×14 Aluminum, 1980’s Slingerland 2×13 Wood, 2014 Pacific PDP SX Series 5.5×14 MAPLE HOOPS, 2016 Pacific PDP Limited Edition Maple/Walnut 14×7-1/2 WALNUT HOOPS, 1960 Revelle Blue Swirl 5×14 and MORE

Various Zildjian, Sabian, Rancan, Mienl, Piaste cymbals

Percussion (hand drums available on request)
Aspire Conga set, Pearl Thai Oak Tube Cajon set, Matador Timbale’s, Mienl Bongos, Remo Mondo Djembe’s 16″ and 14″, Various hand percussion

Any equipment damaged by client misuse, mistreatment or abuse, by the client or their entourage, shall be the responsibility of the client and compensation shall be made to Itchy Brain Recording, before any recorded material leaves the building.