Misc Gear


Neumann U87ai Stam Audio U47 FET Warm Audio WA8000
Audio Technica AT4030 Blue Baby Bottle Blue Bluebird
Steven Slate ML1 Shure KSM27 MXL The Cube
3 – CAD M9 Tube 2 – CAD e100 2 – Audio Hipster AH-01
Oktava MK-219 Oktava MK-319 2 – Oktava MC012-01
2 – MXL 603S Mogami 2 – MXL 993 2 – Studio Projects FC4 MC
 2 – Golden Age Projects FC4 2 – AKG C-430 AKG C1000s
Steven Slate ML2 AKG C418 Behringer ECM8000
 AudioHipster AH-04 MXL R144 NADY RSM-2
2 – Brown Cascade Fathead Beyer Dynamic M500  SuperLux Pro823 MKII
 Shure Beta 91   SuperLux ECO-H6A
AKG D-409 AKG D-880 AKG D-770
2 – AKG D112 AKG D-550 2 – Audix i5
2 – Shure SM7B 2 – Shure Beta 52 Shure Beta 58
4 – Shure SM-57 Shure Beta 87a 6 – Shure SM-58
2 – Sennheiser MD421 U5 Sennheiser MD421-2 2 – Sennheiser MD421-II
Sennheiser e602 Sennheiser e835 4 – Sennheiser e604
2 – Electro-Voice RE320 Electro-Voice 635A Electro-Voice N/D 308B
EAG MD-16N CAD NDM-11 2 – CAD NDM-10
Superlux D112/C Harp Mic 5 – SuperLux TM58 2 – Radioshack Boundry Mics
2 – Shure Omnidyne 578 Audio Technica Pro-44 Shure HighImp “1982 Maxell Edition”
  3 – Shure SM-99  

Kawai MP11 Controller Digital Piano,  1955 Hammond B3 with pedals and late 60’s Leslie 147,  1975 Fender Rhodes Satellite (Stage/Suitcase) Electric Piano,  Wurlitzer 200a Electric Piano,  Roland VK-7,  MOOG Grandmother, EMU Proteus 2000 (available),  Roland D-110 (Control room),  M-Audio Keystation 61es (Control Room),  Nektar Impact GX49 (B Suite)

’74 Hagstrom Swede,  Epiphone DOT,  Epiphone Broadway,  ’96 Fender MIM Telecaster,  ’02 MIM Stratocaster,  Fender Squire FM Telecaster,  Tokai Goldstar Sound ’62 Strat Copy,  Ovation Baladeer A/E,  Hohner HC30 Classical,  Wasburn A/E

Fender American Std Bass,  Fender Squire II P-Bass,  Fender MIM Jazz Bass,  DeArmond Ashbury Bass,  Japanese Import Viola Style Bass,  NS Design WAV4 Electric Upright Bass

Pre-Amps/Guitar Amps/Bass Amps
REDDI Bass Tube DI, 1960’s Ampeg B-15 Bass cabinet with original speaker,  80’s Ampeg B-15-TEV,  1969 Ampeg 8×10 Cab,  70’s Acoustic 150 Head,  Haynes BassKing II,  Fender Rumble 250

80′- s Yamaha TS50 (Soldano Designed),  Carvin SX300,  JCM800 mdl 2205,  Fender Hotrod DeVille,  Soldano Reberb-o-Sonic Combo,  Ampeg GVT52-112,  ROLAND JC77,  Roland JC50,  Mesa/boogie .50 Caliber  60’s Gibson White Falcon,  Fender Blues Jr,  1968 Fender Twin Reverb,  1967 VOX Berkley II,  Orange Amps Crush 30R,  Epiphone Valve Jr,  Pignose Portable Amp,  Silvertone “Dan Elctro” 1492,  2 – Marshall Model 5005–LEAD 12 

Marshall 1960a 4×12 lead 16ohms,  Laney 2×12 closed back cabinet,  Fender FM412 closed back cabinet

1967 Ludwig 5-Piece Kit Sky Blue Pearl, w/ 14″x14″ and 16″x18″ floors,  1970 Ludwig 5-Piece Kit Red Sparkle, w/ 13″x14″ floor,  1968 Rogers Cleveland era 5-Piece kit,  69-72 Rogers Big “R” 4-piece maple shell,  1994 – 96 Pearl Session Series Birch Shell 6-piece kit,  80’s Premier 26″ Bass drum,  1980’s Ludwig Club Date 20″ Bass drum, 

1960 Revelle Blue Swirl 5″x14″ Wood Snare,  1959 Ludwig 5.5″x14″ WMP Wood Snare, Pre-International Premier Royal Ace 5″x14″,  1964 Ludwig 5″x14″ Supraphonic Snare,  1965 Ludwig Acrolite 5″x14″ Aluminum Snare,  1969 Ludwig 5″x14″ Supraphonic Snare,  1979 Ludwig Acrolite 5″x14″ Aluminum Snare,  1980’s Ludwig 6.5″x14″ Maple Snare Modified “OCP style”,  1980’s Ludwig Acrolite 5″x14″ Aluminum Snare,  1970’s Rogers BIG R Dynasonic 5″x14″ Steel Snare,  1980’s Pearl Sensitone 5″x14″ Brass Snare,  1980’s Pearl Sensitone 5″ x 14″ Steel Snare,  1980’s Pearl 6.5″ x 14″ Free Floating Steel Snare,  1980’s Pearl 3″ x 13″ Brass Snare,  1980’s Tama 2″ x 12″ Steel Snare,  1970’s Slingerland 5″x14″ Aluminum Snare,  1980’s Slingerland 2″x13″ Wood Snare,  2014 Pacific PDP SX Series 5.5″x14″ WOOD HOOPS,  2016 Pacific PDP Limited Edition Maple/Walnut Snare 14″ x 7-1/2″WOOD HOOPS and MORE

Various Zildjian, Sabian, Rancan, Zyn, Mienl, Piaste cymbals

Percussion (hand drums available on request)
Aspire Conga set,  Pearl Thai Oak Tube Cajon set,  Matador Timbale’s,  Mienl Bongos,  Remo Mondo Djembe’s 16″ and 14″,  Various hand percussion

Any equipment damaged by client misuse, mistreatment or abuse, by the client or their entourage, shall be the responsibility of the client and compensation shall be made to Itchy Brain Recording, before any recorded material leaves the building.